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Fashion
Glossary
Aba
A loose cloak, possibly of Arabian origin. Related to the jama
in men's wear, and to the abbo (q.v.) in women's.
Abho A loose shirt-like garment, worn by women
mostly in Gujarat and Rajasthan. The garment was generally worn
with short, wide sleeves, open at the neck, loose-fitting on
the upper part and really flared in its skirt. Often decorated
with embroidery and mirror-glass work.
Accessories Additional ornamentation to accompany
the garment in order to create a certain Look/Image. (Shoes,
Jewelries etc.)
Achkan A men's long-sleeved coat-like garment,
worn close to the body, reaching down to the knees or even lower,
and buttoned in front-middle.
Alter To change the pattern so that it corresponds
to body measurements.
Angarakfia A long, full-sleeved outerwear for
men; literally 'that which protects or covers the limbs'. Closely
related to the jama (q.v.), but possibly of native, Indian origin.
Generally open at the chest and tied in front, with an inner
flap or parda covering the chest. Full-skirted and of varying
lengths.
Angiaiangika Short, tight-fitting bodice worn
by women in India from very early times. Literally, 'covering
for the body’.
Asharfi Buti A popular textile design consisting
of small floral discs or circles, sometimes with small patterns
within the circle.
Atansaw A wide, commodious chogha (q.v.)like
garment for wrapping around the body.
Badla Flat metallic wire, often silver-gilt,
used in brocading and embroidery.
Baghal Bandi A kind of tunic or jacket, worn
shorts and fastened under the armpits.
Balabar An outer garment, worn by men, related
in shape to the coat-like ashcan
Bandhani A process of patterning cloth by tie-dyeing
in which the design is reserved on the undyed cloth by tying
small spots very tightly with thread to protect them from the
dye. Especially popular in
Rajasthan and Gujarat.
Bare Pychon ka Paijama A payjama (q. v) with
wide, flared legs.
Bias Any direction in the fabric which does
not exactly flow in the direction of the weft yarn (vertical
yarns) or warp yarns (horizontal yarns) of a fabric. A true
bias makes an angle of 45 degree across the length and width
of a fabric, fabric cut on a bias has maximum stretch.
Buta Literally, "a plant". A floral
motif, derived generally from Persian sources, much used in
Indian textile design, and traditionally rendered as a flowering
plant with a curling bud at the top. The motif is also sometimes
reduced to a floral pattern designed within the form of the
plant.
BUTI A diminutive of buta (q.v.), very commonly
used in Indian textile design.
Centre Front It is the portion of the pattern
or the garment which is suppose to come in the exact front.
Chand-Tara Literally, "moon and star",
a pattern often-used in Indian textile.
Chaubandi Chola A short tunic or shirt fastened
with tie-cords worn by children.
Chaugoshia (topi) A four-cornered cap.
Chauri A flywhisk made generally from a yak's
tail. Important as a symbol of royalty or divinity.
Chikan Kari Embroidery in white cotton thread
upon fine white cotton fabric, like, muslin. Several techniques
in chikan-kar are known; Lucknow was a famous center of fine
workmanship.
Chogaichoga A loose, sleeved coat-like garment
worn over an inner garment like the angarakha (q.v.), generally
sumptuous and appropriate for ceremonial occasions. Of Turkish
origin, the chogha was also known as a chugha, chuha orjuha;
in Russia as shuba or sbubka.
Choli A short, bodice-like breast garment of
wide popularity among women in India, from early times. Related
to the classic cholaka mentioned in Sanskrit literature. The
garment is worn in many styles; thus, with back covering or
without, fastened with strings or extended cloth-pieces, with
shaped breast-pieces or flat, etc.
Cholu A loose, shirt-like garment.
Churidar With bangle-like gathers or wrinkles,
as in a churidar payan.
Contemporary Currently in vogue Cool Colours
Blue, Violet and Green are cool / light colors. They are reducing
in nature, as seen by the eye they move away from the object
thereby increasing it’s size. Cool colors have a calm
and restful effect. Loose or baggy. Thus, a dhila payjama, wide
and roomy all over.
Dhoti The traditional Indian dress for the
lower part of the body, consisting of a piece of unstitched
cloth draped over the hips and legs. Worn in various ways in
different parts of the country, alike by men and women.
Doru Long rope with which the thick woolen
coat worn by the Gaddis is secured around the waist.
Draping Draping means to hang or to adorn the
body form with loose fabric, and to obtain a body fitted garment
by using adequate sewing techniques.
Dupaluidupallari Top Small, close-fitting cap
made generally of muslin, and consisting of two identical pieces
cut slightly rounded and curved towards the top.
Dupatta Veil-cloth worn by women, draped loosely
around the upper part of the body.
Fad Short lived fashion are called fad’s;
They seldom have any lasting Impact on future fashion. They
are briefly and suddenly seen everywhere and just as suddenly
they vanish.
Fargul A kind of jacket.
Farji A kind of jacket. Defined by the dictionaries
as simply 'a kind of garment', the faiji was possibly a long
over-garment without sleeves, or with very short sleeves, open
in front and worn like a coat over pyjama (q.v.) or angarakha
(q.v.).
Farshi Paijama Wide-legged payjama (q. v) that
trails on the ground, sometimes completely covering the feet;
worn often with a kurta (q.v.) or angarakha (q.v.).
Fashion Forecast To predict of foretell future
fashion tread for a specific period of time.
Fatuhi A 'jacket without sleeves'. Generally
understood as a vest lightly padded with cotton wool, and quilted.
Faz-Vi A 'jacket without sleeves'. Possibly
the same kind of garment as fatuhi (q.v.).
Finish Perfection with which the garment / fabric is completed.
Forte of a garment Means the strong point of
the garment
Frey Threads which come out from the fabric
during handling.
Gamla Buti A popular motif in textile design
in India, consisting of flowers of different kinds growing in
a flowerpot, neatly arranged.
Ghagho A woman's dress, closely related to
the abbo (q.v.). The skirt part of the abagho was often more
flared than that of an abbo, the ample gathers at either side
of the waist lending it peculiar gracefulness when the wearer
moved.
Ghaghra Skirt, usually with a great deal of
flare. The simple ghaghras have only one vertical seam, which
turns the cloth or ghaghra-pata into a tube, fastened with a
drawstring passing through a long, narrow slot at the waist.
Flared ghaghras are made up of, several triangular gored pieces
stitched together.
Gherdar Flared with an ample skirt, as in a
gherdarjama.
Ghundi Loop; generally used to hold the little
button-like boss called the tukma.
Ghutanna A short paoan (q. v.), worn by men,
tight and ending just below the knees. Much favoured in 19th
century Sikh Punjab.
Gota Narrow ribbon made of 'gold' or 'silver'
thread.
Grain Another word used for the length wise
(weft yarn) or cross-wise (warp yarn) threads of the fabric.
Haute Couture Hi-Fashion garments (of which
only a single price is produced) It’s extravagant, it’s
irrational, it’s Unique and it’s totally unaffordable.
Hue Is the shades and degrees of color
Ikat Term applied to the resist-dye process
in which designs are reserved in warp or weft yarns by tying
off small bundles of yarn with palm-leaf strips or similar material
to prevent penetration of dye. From the
Indonesian mengikat, 'to tie' or 'to bind'.
Izar A kind of payjama (q. v.).
Izarband Drawstring at the waist for a garment
like the payjama (q.v.). Literally, 'fastening of the izar'
Jama Full-sleeved outerwear for men, greatly
popular at the Mughal and Rajput courts and worn well into the
19th century. Literally, "a garment, robe, vest, gown,
coat
Jamdani Fine cotton muslin with a floral pattern
brocaded in thick soft cotton. Dacca was a famous center for
the production of finejamdani work.
Janghia Short drawers, worn by men and boys.
From Sanskrit
Jar See ZARI.
Jhabba Loose, tunic-like garment.
Jhula A kind of blouse for children.
Jhumb A covering for the head and body made
simply by tying a sheet or blanket at one end and draped over
the head.
Kairi A green mango.
Kairi Buti A floral motif in Indian textile
design, based on the form of a green mango with a light curve
at the tip.
Kalabatton Silver-gilt thread, used in embroidery.
Kalgha A popular motif in Indian textile design,
broadly cypress-shaped and curving to one sides at the top;
crest.
Kali Gore wedge-shaped, triangular piece of
cloth.
Kalidar Ghagra Ghaghra
(q.v.) made up of many gored pieces and thus flared in early
Sanskrit literature.
Kanjari Blouse like
garment, worn a little long in front and generally backless,
held together with tie-cords, with no shaped parts like cups.
From Sanskrit Kanchuki.
Kantop Literally, 't0Pi, worn around the ears'.
This kind of cap covers the ears and the back of the neck to
protect these parts from excessive heat and cold.
Kapadu Cloth used to cover the breasts. In
Rajasthan and Gujarat a simple choli-blouse is sometimes referred
to by this name.
Karchobi Work Work similar to zardozi (q.v.)
in which gold or silver metal threads are sewn on to satin or
velvet with metallic threads to yield the effect of true embroidery.
Kasnis Tie-cords or strings used for tightening.
Katoris Cups; the word is used to describe
breast-cups as in a choli (q.v.) or angia (q.v.).
Iaedryun A short jacket, often richly embroidered, worn mostly
in Kutch and Saurashtra, in combination with an embroidered
payjama (q.v.).
Kimkhab Silk fabric brocaded with silver and
gold. The metal thread used for brocading is made from a fine
strand of flattened metal wound over a core of silk, using yellow
silk under gold, and white silk under silver. Yjshtinuam (topi)
Boat shaped cap, worn close to the head. KULAH
Kurdi A jacket or coat meant for outerwear.
The garment popular under this name in Persia was known in India
as a nadiji (q.v.).
Kurta Variously described in the dictionaries
as "a tunic, waist coat, jacket, shirt", the kurta
became popular in the 18th and 19th centuries essentially as
a slightly loose-fitting garment for outer wear, often with
a round neck, of knee-length or even longer, with side-slits
at the hem and generally flared skirt. It acquired great elegance
as a garment in centers like Lucknow and Hyderabad.
Kurti A shirt-like garment, with most of the
features of a kurta (q.v.), but often worn a little shorter.
When worn by women, it is defined as 'a short bodice reaching
to the hips, with very short, if any, sleeves, open under the
throat.'
Labeda A loose, tunic-like garment worn by
men, mostly in Nepal. Possibly from Persian libada.
Lehnga A kind of skirt. Worn generally in combination
with an odhani, which is tucked into it at the waist. Possibly
derived from Sanskrit lanka, standing for the waist, and anga
or limbs.
Lungi A garment-piece worn by men, as a long,
straight skirt-cloth.
Mandeel A kind of decoratively worn turban.
Mashru A fabric woven of silk and cotton, the
warp of one material and the weft of the other. Literally, 'that
which is in accordance with the shara, Muslim holy law, which
disapproves of an arel made of silk.
Mirzai A kind of jacket, often understood as
a 'quilted coat'. it was generally worn sleeveless over a shirt
as outer garment; worn sometimes also next to the skin, without
anything underneath it.
Moshla A cap, worn usually by children, covering,
apart from the back, the back of the neck through a long, suspended
flap.
Mughlai Paijama A payjama (q. v.) of the 'Mughal'
cut.
Nadiri A kind of jackets, worn as an outer
garment. The Emperor Jehangir described it in his Memoirs as
"a coat they wear over a qaba. Its length is from the waist
down to below the thighs, and it has no sleeves. It is fastened
in fror4t with buttons."
Naqsha Pattern; scheme.
Nastaliq One of the many scripts in which Persian
characters can be written.
Natio A kind of cap popular in Gujarat and
Rajasthan. It consists generally of a woven piece and headband,
with a long flap, which hangs at the back to cover the neck.
Nimainimatana A kind of tunic, a modified version
of the kurta (q.v.), generally made of fine material.
Odhani A veil-cloth for a woman, often worn
tucked into the side of the waist and drawn upward over the
back and the head, the free end being draped over the shoulder.
Literally, 'a wrap'.
Paan-Shaped Of the shape of a betel-leaf.
Pagri Turban.
Paijama Trouser-like garment, worn on the lower
part of the body alike by men and women. Literally, 'leg-clothing'.
The payjama was worn in many cuts and shapes, much variation
being seen in respect of girth, length, tightness, material,
etc.
Pairhaniphiran Loose cloak-like shirt reaching
down to the feet. Very popular as an article of wear in Kashmir
where it was made mostly of woolen cloth.
Patka A girdle or kamarband, worn usually over
payjama (q.v.), and often very sumptuous and decorative.
Peshwaz Long gown-like dress, consisting essentially
of a choli (q.v.) worn rather high to which a front-opening
skirt is attached. The garment was worn at an early point by
men, too, but is essentially to be
regarded as women's apparel. Worn with much refinement and elegance
'on occasions of household festivals'. Literally, "front-opening".
Petia An apron-like piece of cloth attached
to the lower end of a choli (q.v.) or kanjari (q.v.) and hanging
down so as to partially cover the stomach.
Phulkari Literally, "flowered work".
Term used for a type of embroidery practiced by women in the
Punjab for head-veils and other garment-pieces. The embroidery
is worked in floss-silk upon coarse cotton cloth, in darning
stitch over counted threads, being worked from the back of the
fabric.
Press mark Undesirable shinning lines on the
right side of the garment due to incorrect ironing.
Pucker To draw up into folds or wrinkles
Qaba A full-sleeved garment for outer wear,
worn by men, closely related to thejama . William Thevenot who
saw this garment frequently at the Mughal court spoke of the
"caba of the Indians" being "wider than that
of the Persians, and 1 cannot tell how to express the manner
of it more intelligibly, than by saying it is a kind of gown
with a long jerkin fastened to it
Qamis A shirt. Cf. French, chemise.
Sadri A sleeveless jacket worn over a shirt
or kurta, alike by men and women. The name of this popular garment
derives possibly from aura, 'the upper part of the human breast'.
Salwatishalwar A payjama like garment for the
lower part of the body, baggy and wide at the top, and not so
tight around the legs and ankles. Worn mostly by women, but
also by men in some parts of India, especially in the northwest.
Seam Line Is the line which indicates where
the seam should be stitched - or it is plainly the stitching
line of any garment.
Sharara A kind of loose, trailing payjama (q.
v.) worn by women.
Sherwani a coat like garment, worn by men close
to the body, of knee-length, and opening in front with button-fastenings.
Related to the achkan (q.v.); especially popular at the Hyderabad
court and in Aligarh.
Sidha Paijama Payjama (q.v.) with a straight
cut.
Silhouette Dark-shaded profile portrait outline
of any garment.
Suralisurwal A breeches-like garment for the
lower part of the body, tight around the legs. Worn mostly in
Nepal and contiguous areas.
Suithana Payjama like garment, worn mostly
by women; wide at top and comfortably roomy around the legs
and ankles. Possibly from Sanskrit svasthana, mentioned in the
Harshacharita.
Surface Decoration Ornamenting the surface
of a fabric or garment (e.g. Embroidery etc.)
Tahband A kind of girdle or belt.
Takauchiya A kind payjama (q.v.). Abu'I-Fazl
describes it in the Ain-i-Akbati as "a coat without lining,
of the Indian form. Formerly it had slits in the skirt, and
was tied on the left side; His Majesty has ordered it to be
made with a round skirt and to be tied on the right side."
Tanis Tie-cords or strings used to fasten or
tighten a garment when worn.
Teentah Topi A topi (q.v.) consisting of three
different pieces, stitched together.
Taper To decrease width gradually and bring
it to an end point. The Look To portray a certain image. (The
contemporary look i.e. the look of today. The look of the yester
years)
Thread Count Is the number of warp and weft
yarns in one square-inch of a fabric (warp yarn x weft yarn
per sq. inch)
Tiki A round piece; generally tacked on to
a garment.
TopI Cap.
Trend Fashion is not static, they are constantly
moving, their movement has a definite direction. The direction
in which fashion moves is called fashion Trend.
Trim To cut off the ragged edges below the
seam line to prevent the garment from being bulky and to give
the seam a neat finish.
Tukma Small, button-like boss used in conjunction
with a ghundi (q.v.) or loop, for fastening.
Vajani A kind of payjama (q. v.), worn in Kutch
and Saurashtra, often richly embroidered.
Warm Colours Colors like Red, Orange, Yellow
are classified as warm colors, they are advancing in nature,
because as seen by the eyes these colors move closer thereby
reducing the size of an object.
Warm colors are cheerful.
Zardozi Work Work in which gold or silver metal
threads are sewn on a fabric like satin or velvet with metallic
threads to give the appearance of true embroidery.
Zari Metallic thread twisted over cotton or
silk for brocading. Also referred to, in popular parlance, asjad
Zirah A kind of coat of mail.
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